John Burns' "Ministering Angels" and "Liberators"

In this week’s New Yorker, Peter Maass — who was in Iraq covering the war at the time — examines the iconic, manufactured toppling of the Saddam statue in Baghdad’s Firdos Square, an event the American media relentlessly exploited in April, 2003, to propagandize citizens into believing that Iraqis were gleeful over the U.S. invasion and that the war was a smashing success.  Acknowledging that the episode demonstrated that American troops had taken over the center of Baghdad, Maas nonetheless explains that “everything else the toppling was said to represent during repeated replays on television — victory for America, the end of the war, joy throughout Iraq — was a disservice to the truth.”

 

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GLENN GREENWALD

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